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1961年，19岁的鲍勃·迪伦带着他的才华和一把木吉他，从明尼苏达来到纽约。他的原创歌曲得到了民谣大师和乐迷的青睐，短短数年间便从无名之辈跃升为纽约民谣界炙手可热的新星。然而拒绝被定义的他，在1965年的纽波特民谣音乐节上，破天荒地抱起电吉他登场。这一举动不仅颠覆了民谣音乐的定义，更重新书写了美国音乐的未来。。This would definitely not have been my kind of movie, but my husband saw it on TV and said it was really good. So, on his recommendation, I bought a copy, since I didn't know if it would ever be on TV again. I had never heard of anybody in it except Armand Assante. At first I had a hard time getting into the story, because the first part of the movie is a jumble of images-- and...。苏辰凭借自己努力获得的保送名额，却被别人轻易顶替，父亲辛苦研究出来的隐形涂料技术也被人窃取，两代人的恩怨，在一次工业大摸底中拉开帷幕，看重活一世的苏辰会如何反击，又怎么拿回属于自己的东西！。